It was still enough to A) quadruple its $39 million budget and B) make The Conjuring Universe the first-ever $2 billion-plus grossing wholly R-rated franchise. That’s slightly below Annabelle Comes Home ($72 million/$228 million on a $28 million budget). One week after A Quiet Place part II, The Conjuring: The Devil Made Me Do It opened with $24 million domestic on its way to a $65 million domestic and $197 million worldwide finish. With $159 million domestic from a $57 million Fri-Mon launch, it’s among the leggiest “big” Memorial Day weekend openers in recent memory. Paramount’s A Quiet Place part II will earned/has earned 86% of the film’s $188 million domestic cume and $341 million worldwide cume while nearly quadrupling its $61 million budget. I don’t expect Don’t Breathe 2 to get anywhere near the first film’s $156 million cume, but it’s presumably cheap enough that it doesn’t have to. Escape Room: Tournament of Champions has earned $32 million worldwide, double its $15 million budget but 75% below the $155 million cume of the first Escape Room.
#Annabelle 2 budget series#
Spiral earned $36 million on a $20 million budget, a commercial whiff for the once-popular Saw series but probably a “profitable in the long-run” title for Lionsgate. L-r, Regan (Millicent Simmonds), Evelyn (Emily Blunt) and Marcus (Noah Jupe) brave the unknown in "A Quiet Place Part II.” © 2019 Paramount Pictures. Spiral), then for the horror sub-genre on the whole. And so far, that thesis seems to be holding up, if not on a zero sum basis (R.I.P. That makes sense since horror movies are cheap enough to still be profitable sans best-case-scenario box office, still qualify as a “you should see this in theaters” sub-genre and might have broken out amid a traumatic year. As such, most of the big franchise titles have been horror films. Universal sent both Jurassic World: Dominion and Minions: The Rise of Gru to next summer.
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Sony pushed Hotel Transylvania: Transformania to October. Paramount swapped Snake Eyes for Top Gun: Maverick. Other than F9 and Marvel ’s Black Widow, most of the big-budget preordained (in pre-Covid times) tentpoles stayed far away.
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#Annabelle 2 budget free#
Snake Eyes was always a bad commercial play while the (well-reviewed) likes of Free Guy (opening next week) and The Suicide Squad were coin tosses. Jungle Cruise’s $35 million launch is considered solid by Covid standards, but A) it’s still a $200 million-budgeted flick that earned $90 million in global box office and Disney+ transactions and B) it’s not far off from the over/under $35 million debuts of Central Intelligence, Jumanji: Welcome to the Jungle and Rampage. The Hitman’s Wife’s Bodyguard earning $61 million worldwide (versus $171 million for The Hitman’ s Bodyguard) could have been business as usual, as we saw with Red 2 or Another Stakeout. LeBron James’ Space Jam: A New Legacy was never a surefire hit, especially not with a $150 million budget. LeBron James and Bugs Bunny in 'Space Jam: A New Legacy' Courtesy of Warner Bros.